7.22.9
In Triteia is a sanctuary of the gods called Almighty, and their images are made of clay. In honor of these every year they celebrate a festival, exactly the same sort of festival as the Greeks hold in honor of Dionysus. There is also a temple of Athena, and the modern image is of stone. The ancient image, as the folk of Triteia say, was carried to Rome. The people here are accustomed to sacrifice both to Ares and to Triteia.
7.22.10
These cities are at some distance from the sea and completely inland. As you sail to Aegium from Patrae you come first to the cape called Rhium, fifty stades from Patrae, the harbor of Panormus being fifteen stades farther from the cape. It is another fifteen stades from Panormus to what is known as the Fort of Athena. From the Fort of Athena to the harbor of Erineus is a coastal voyage of ninety stades, and from Erineus to Aegium is sixty. But the land route is about forty stades less than the number here given.
7.22.11
Not far from the city of Patrae is the river Meilichus, and the sanctuary of Triclaria, which no longer has an image. This is on the right. Advancing from the Meilichus you come to another river, the name of which is the Charadrus. The flocks and herds that drink of this river in spring are bound to have male young ones for the most part, and for this reason the herdsmen remove all except the cows to another part of the country. The cows they leave behind by the river, because for sacrifices and for agriculture bulls are more suitable than cows, but in the case of other cattle the females are preferred.
ch. 23
7.23.1
After the Charadrus you come to some ruins, not at all remarkable, of the city Argyra, to the spring Argyra, on the right of the high road, and to the river Selemnus going down to the sea. The local legend about Selemnus is that he was a handsome lad who used to feed his flocks here. Argyra, they say, was a sea-nymph, who fell in love with Selemnus and used to come up out of the sea to visit him, sleeping by his side.
7.23.2
After no long while Selemnus no longer seemed so handsome, and the nymph would not visit him. So Selemnus, deserted by Argyra, died of love, and Aphrodite turned him into a river. This is what the people of Patrae say. As Selemnus continued to love Argyra even when he was turned into water, just as Alpheius in the legend continued to love Arethusa, Aphrodite bestowed on him a further gift, by blotting out the memory of Argyra.
7.23.3
I heard too another tale about the water, how that it is a useful remedy for both men and women when in love; if they wash in the river they forget their passion. If there is any truth in the story the water of the Selemnus is of more value to mankind than great wealth.
7.23.4
At some distance from Argyra is a river named Bolinaeus, and by it once stood a city Bolina. Apollo, says a legend, fell in love with a maiden called Bolina, who fleeing to the sea here threw herself into it, and by the favour of Apollo became an immortal. Next to it a cape juts out into the sea, and of it is told a story how Cronus threw into the sea here the sickle with which he mutilated his father Uranus. For this reason they call the cape Drepanum. note Beyond the high road are the ruins of Rhypes. Aegium is about thirty stades distant from Rhypes.
7.23.5
The territory of Aegium is crossed by a river Phoenix, and by another called Meiganitas, both of which flow into the sea. A portico near the city was made for Straton, an athlete who won at Olympia on the same day victories in the pancratium and in wrestling. The portico was built that this man might exercise himself in it. At Aegium is an ancient sanctuary of Eileithyia, and her image is covered from head to foot with finely-woven drapery; it is of wood except the face, hands and feet,
7.23.6
which are made of Pentelic marble. One hand is stretched out straight; the other holds up a torch. One might conjecture that torches are an attribute of Eileithyia because the pangs of women are just like fire. The torches might also be explained by the fact that it is Eileithyia who brings children to the light. The image is a work of Damophon the Messenian.
